The Phasing Room
We are not a dance studio. We are a calibration center for bodies that have forgotten their native resolution. Here, we don't teach steps; we unlock physics. Our curriculum is designed for dancers, movers, and sentient beings ready to de-frag their corporeal limitations.
The Body is a Render.
Learn to Edit the Source.
From the Lab to the Studio
Professional athletes have used similar motion analysis technology to
+ refine their performance,
+ analyze complex movements, and
+ accelerate their mastery.
+ It has lived in expensive labs and exclusive training facilities.
Until now.
We're bringing this same precision to dancers
+ accessible from any device with a web browser.
+ No special equipment needed.
+ Just the tools to unlock your full potential.
The Body is a Render. Learn to Edit the Source.
For centuries, dancers have perfected their interaction with a single instance of reality. They've mastered gravity, friction, and rhythm. We ask: why stop there? The next stage of movement isn't about perfecting the form, but escaping it. It's about treating the laws of physics as a local server with admin privileges you can brute-force with the right somatic password.
Workshop 01: Permeability & Phase-Shifting
An intensive for advanced improvisers. Learn to perceive solid matter as a suggestion, not a rule. Through a series of resonance exercises and focused de-materialization drills, you will learn to find the 'seams' in reality.
Pre-requisite: Must be comfortable with temporary states of non-existence. Safety waivers required. We are not responsible for dancers lost between dimensions.
Workshop 02: Glitching the Simulation
This is not a metaphor. The world is a render, and you are the rogue process. This workshop teaches you to identify the artifacts of the simulation—the visual lag, the audio skips, the physics engine bugs—and exploit them through movement.
Topics include: Frame-rate manipulation, exploiting collision detection, and triggering kernel panics in local reality. Wear non-reflective clothing.